This section preserves the gradual evolution of the exhibition at The Rigley Field.

Rather than documenting finished works, these photographs record the continual repositioning of objects, relationships, and space as the installation developed over time.

Nothing is staged after the fact.

Objects are moved.

Returned.

Removed.

Reintroduced.

The installation remains in motion long after individual works have been completed.

Each photograph preserves a single state of the environment.

Together, they reveal how the exhibition gradually became itself.

Meaning is not assigned.

It is recognized.