These photographs preserve the gradual evolution of the exhibition at The Rigley Field.

Rather than documenting finished works, they record the continual repositioning of objects, relationships, and space as the installation developed over time.

Nothing is staged after the fact.

Objects move.

Return.

Disappear.

Reappear.

The installation remains in motion long after individual works are completed.

Each photograph preserves a single state of the environment.

Together, they reveal the exhibition becoming itself.